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This cover's typography may be naive, but the composition and tension in this photograph is undeniable.The limited-edition box set for Higher beautifully constructs a system of marbled psychedelia through each piece.
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Artist and designer Leif Podhajsky has put together what is arguably the most unforgettable album cover portfolio of the last few years, visualizing the music of artists such as Tame Impala, Lykke Li, Young Magic, Mount Kimbie, Foals, and more.But the illustrations that overlay the faces have become so completely iconic (even spawning a Facebook app that lets you make your own), making this cover one that will be difficult to forget. The photo that brothers Guy and Howard Lawrence chose for their cover is innocuous enough, if not a bit 90s/Columbia House (especially paired with that typeface).Fuck Buttons' latest was dressed up with this distinguished piece of Victorian-style jewelry discovered by band member Benjamin John Power at Spitalfields Market.But Stephen Powers (aka ESPO) shares an effortlessly funny and charming aloofness aesthetic with Vile, and he was able to illustrate that vibe while connecting it to their shared hometown of Philadelphia. In the end, the photo and composition of this cover could have been executed a little more thoughtfully.The LP was released with a limited-edition 20-page booklet printed on a risograph and also art directed by Barnes. Matt Barnes designed his own artwork to complement the album’s chilling ambience.Then think about how many cultural icons are left that have been able to make meaningful art in both of those eras. If slapping a boring square on the iconic Heroes cover seems lazy, think about our age of appropriation on Tumblr as well as where every image came from first. People who miss the point on this cover by designer Jonathan Barnbrook are likely reading into it too much.The don’t-give-a-fuck nature of this cover perfectly matches Tyler's idiosyncratically random worldview.Will Wiesenfeld turned a dark corner with Obsidian, which was reflected by this brooding image, art directed by Young Replicant filmmaker Alex Takacs.Sam Spratt designed and illustrated Janelle Monaé’s latest.Designed by Nick Steinhardt from Touché Amoré, the cover's color scheme is based on the view behind your eyelids when you stare at the sun, which also seems to be melting away at the stems and crossbars of the Didone-style typeface.